
While Bloom's passionate wife, Molly, conducts yet another illicit liasion (with her concert manager), Bloom finds himself getting into arguments with drunken nationalists and wild carousing with excitable medical students, before rescuing Stephen Dedalus from a brawl and returning with him to his own basement kitchen.
In the hands of Jim Norton and Marcella Riordan, experienced and stimulating Joycean readers, and carefully directed by Roger Marsh, Ulysses becomes accessible as never before. It is entertaining, immediate, funny, and rich in classical, philosophical, and musical allusion.
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