Current Directions in Eleventh- and Twelfth-century Sculpture Studies

Table of Contents: Robert A. Maxwell and Kirk Ambrose, Introduction: Romanesque Sculpture Studies at a Crossroads -aJerome Baschet, Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac -aMartin Buchsel, The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis -aThomas E. A. Dale, The Nude at Moissac: Vision, Phantasia and the Experience of Romanesque Sculpture -aIlene H. Forsyth, The Date of the Moissac Portal -aDorothy F. Glass, (Re)framing Early, Romanesque Sculpture in Italy -aKlaus Niehr, Sculpturing Architecture, Framing Sculpture and Modes of Contextualizing the Arts in the Eleventh and Twelfth Centuries -aJose Luis Senra, Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de Silos -aAndrea von Hulsen-Esch, Romanesque Sculpture in Italy: Form, Function, and Cultural Practice -aJohn Williams, The Emergence of Spanish Romanesque Sculpture: A Century of Scholarship