Sin In The House

The prologue. “The Inveigler” is a lucid poetic depiction of seduction. With a stepwise narrative approach, the battle for the human soul (the house) is captured. Chapter 1 commences with the event at Eden, how a covenant was (written in the blood of Abel) enacted between the woman and her seed and the ancient Serpent (Sin). The consequence of this covenant was to play out in both the immediate and subsequent generations. Saul visits a witch at Endor and eats there and ends up giving all the souls in his family in one day to the same inveigler. The creator had commenced work immediately when this imbroglio started and foremost set up a counter covenant of “circumcision of the flesh.” Mankind was to continue to increase beyond the Serpent’s diabolic decimation machinery. In Egypt, the latter attempted to beat this ‘event of the eight day’ by demanding the execution of every male newborn at the delivery stool. But then, the deed must work like covenants. He was outwitted; oppression bred multiplication! He continued with his potent weapon; Idolatry (illicit sex). The creator went to the next stage, the “circumcision of the Spirit”—the ultimate covenant. This time around another virgin was convinced to bring forth the “tree of life.” Mankind was given another opportunity to eat this “word that was made flesh” and live forever. Another covenant was written in the blood of Jesus, which began to “speak better things (blessings) than the blood of Abel.” The remembrance of this covenant by the faithful in “The Lord’s Supper” continues to be a torment in the heart of the ancient Serpent. The “Prince of this world” thus became the pauper; a fugitive and wanderer. The former fugitives (due to the scheme at Eden) now have rest in the New Covenant. The ultimate climax of this real life drama is the “exit of Sin from the house” he had occupied since he schemed his way into it at Eden. The book culminates in a thrilling narrative epilogue; “Manna” which portrays seduction at its best and what happens to a man when he allows “Sin in the House.”