Instrumental Duets

Instrumental Duets

Lily Was Here, Dueling Banjos, Grand Galop Chromatique, Paganiniana, Jugalbandi, Pelléas Et Mélisande, Short Story

by Books LLC

26 pages· 2010· ISBN 9781157327202
About
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 25. Chapters: Compositions for piano four-hands, Compositions for two pianos, Instrumental duet albums, Symphonic Dances, Concerto path tique, Fantasia in F minor, Variations on a Theme by Haydn, Structures, Espa a, Lily Was Here, Hungarian Dances, Slavonic Dances, Ma m re l'oye, Russian Rhapsody, Interstellar Space, J t kok, Sonata for Two Pianos in D major, Three Marches Militaires, Trois valses romantiques, Joyeuse marche, Dueling Banjos, Heroes, Sixteen Waltzes for piano, four hands, R miniscences de Don Juan, In Concert, Z rich, October 28, 1979, An Evening with Herbie Hancock & Chick Corea: In Concert, Legends, Music for Two, Pell as et M lisande, Grand Duo, Souvenirs de Munich, 1 + 1, Daybreak, Recital, Consequences, Sonata for Two Pianos and Percussion, Suite No. 2, Silent Woods, Dolly, Metheny/Mehldau, Toccata pour deux pianos, Grand galop chromatique, First You Build A Cloud, Suite No. 1, Sonata for Keyboard Four-hands K.19d, Presents Guitar Duets, Jugalbandi, Hallelujah Junction, My Lord Chamberlain, His Galliard, Sonate pour deux pianos, Paul Bley/NH P, Jeux d'enfants, Lilliburlero Variations for Two Pianos, Short Story. Excerpt: The Symphonic Dances, Op. 45, is an orchestral suite in three movements. Completed in 1940, it is Sergei Rachmaninoff's last composition. The work summarizes Rachmaninoff's compositional output. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colors throughout (highlighted by his use of an alto saxophone in the opening dance). The opening three-note motif, introduced quietly but soon reinforced by heavily staccato chords and responsible for much of the movement's rhythmic vitality, is reminiscent of the Queen of Shemakha's theme in Rim...

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