Gothic Heirs: An Examination of Family Dynamics in the Works of Stephen King

Family resides at the center of Stephen King's early work. And while the author has been consistently criticized for a seemingly conservative agenda, these specific pieces allow for a particularly progressive read--one which reflects the revolutionary time in which they were composed. This study examines four texts written in this period of political upheaval and domestic tension. First published in 1974, Carrie pointedly presents the struggles of young women and their desperate attempt to flee family and obligation. The terror of ironing boards and screaming children far surpasses that of a massive, carnage-laden conflagration. Likewise, The Shining depicts the triumph of a once meek wife against the collective forces of absolute evil. Though the text concludes with her husband's demise, Wendy and her child continue their small family in Jack's absence. Here, family becomes redefined. Written at the close of the 1970's, Pet Sematary addresses a new rush of neo-conservatism and its impact on the family. While the Creeds seem the perfect portrait of 1950s moderation, they will be decimated as a result of their myopic views. This pitch-black work serves as a cautionary tale to all who support a return to -- family-values. ‖ Finally, in Cujo King permits a spark of hope for families-future. Following the deeply conservative Creed family emerges the Trentons. A balanced amalgamation of both tradition and progress, the Trentons make mistakes but are allowed to begin anew. Throughout this decade of writing, King emphasizes the role of the family and the crushing weight of conservatism on this fragile institution.