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"Proposes to present a comprehensive collection on the origins of the marimba: Chiapas, Guatemala, and Cuba. Includes short articles by over 30 scholars, writers, and musicians. A large portion of the work is dedicated to the complicated theories of Carlos R. Asturias Gómez about the Mayan marinbah. Useful for those interested in the marimba or Mayan music"--Handbook of Latin American Studies, v. 58.

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