Ioannis Ludovici Guezii Balzacii Carminum, Libri tres. Eiusdem epistolæ selectæ. Editore Ægidio Menagio

4to. f. [1] (blank), pp. [16], 475 [i.e. 479; p. 27 misnumbered 72; pp. 437-440 repeated in numbering; pp. 441 ff. called 437 ff.], [11], f. [1] (blank). Signatures: ã⁴ ẽ⁴ A-3P⁴ χ1. Vellum. Manuscript spine title, remnants of later label onfront board, some manuscript annotations and corrections. Historiated and engraved initials, head- and tailpieces. With an added, engraved title page (ã1); signed "F. Chauveau in.", "N. Regnesson Sculp." Engraved vignette on title page, signed "Ioan. Picart fe."

The ‘Indignatio in poetas Neronianorum temporum’ (first printed here at pp. 194-197), although an obvious imitation, was later treated as the work of the Roman satirist Turnus, and W. Speyer (Die literarische Fälschung im heidnischen und christlichen Altertum: ein Versuch ihrer Deutung. Munich, 1971, p. 320) among others regards Guez de Balzac as its forger. J.-M. Quérard, Les supercheries littéraires dévoilées; seconde édition, considérablement augmentée, publiée par MM. Gustave Brunet et Pierre Jannet. Paris, 1870, III, col. 865, gives a good account; see also O. Delepierre, Supercheries littéraires, London, 1872, pp. 51-56.

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